ADAPTIVERB was designed to sound beautifully lush and smooth from the ground up. Rather than simulating a realistic room, it focuses on creating depth, harmonic richness, and sustain that sounds so naturally organic it's as if your sounds had more sustain to begin with. Its unique Bionic Sustain Resynthesizer creates reverb free of graininess or noise splashes, and its Ray Tracing engine creates super-dense and perfectly diffuse tails free of any attention-grabbing discrete reflections. Read more about the Bionic Sustain Resynthesizer or the Ray Tracing reverb...

Our testers have described ADAPTIVERB as "it's just soo MUSICAL!", "oh boy, does it sound GOOD!" and "I don't use reverbs in general, they always mush up the sound - this one doesn't, and I'm now turning into a reverb LOVER!". We tend to agree with our testers and trust you will too.
You will find ADAPTIVERB works wonders on instruments like guitars, pianos, synthesizers or strings, on speech and vocals, on SFX and location sound, and even on full mixes.
And if you (like us) like Daniel Lanois, Robert Fripp, Ulrich Schnauss or My Bloody Valentine... you'll love ADAPTIVERB.

Applying long reverb tails is a great way to carry a sound and embed it into a mix. However, the length and amount of reverb you can successfully use for this effect is usually limited. Reverb tends to obscure detail by moving sounds into the background and it can introduce dissonance and tonal clashing when the tail overlaps with a note or chord change. This often results in a cluttered, muddy mix that lacks directness and tonal definition.
ADAPTIVERB is always in tune with the input or a user-defined set of pitches, filtering out all unwanted harmonic content from the reverb automatically. Bye bye, mud & clutter - hello, harmonic clarity! Read more on how this works...

Rather than stacking delay/allpass nodes or convolving the input with an IR (impulse response), ADAPTIVERB employs machine learning, ray tracing and source separation techniques to synthesize a reverb tail that automatically adapts to the audio context in which it is used - like a chameleon.
 As a result, reverb timbre can be matched to the source automatically, and the reverb can blend with your sounds so seamlessly that it becomes "invisible" with minimal effort - great for adding "glue" in mixing and mastering applications without having to adjust roll-offs, frequency dependent decay times or crossover frequencies manually. 

ADAPTIVERB loves sound design. Add fifth or octave interval harmonics into the reverb using the RICHNESS parameter, create additive synth style timbres using SIMPLIFY, create drones and pads that play without input using FREEZE, or create cross-filtering effects with the Harmonic Contour Filter's HOLD functionality – quickly, easily and at maximum quality. Whether you produce music or design sound for film and games, ADAPTIVERB is for you. Read more about ADAPTIVERB's pitch/synthesis, cross-filtering or drone/pad creation features...

ADAPTIVERB ships with over 400 presets, including basic starting points, music production reverbs, adaptive delays, voice and orchestral colored reverbs, drones, pads, speech-optimized reverbs, cross-filtering presets, robotizers and more. And even this huge number of presets is just scratching the surface of what you can do with ADAPTIVERB!

Like with all Zynaptiq products, the heavy lifting stays under the hood, making your workflow as effortless as possible. With main and fine tune GUI modes, ADAPTIVERB's controls are both highly accessible and comprehensive. And with Zynaptiq's advanced artificial intelligence, ADAPTIVERB can quite literally drive itself, saving you valuable time while producing stellar results. Test drive it now!